Opinion
Chaar Diwaari is one of the most magnetic forces in the current music scene, the kind of artist you find yourself drawn to without...
Hi, what are you looking for?
The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
The Indian Music Diaries — India's guide to contemporary music
Review
It has been a while since the release of his last full-length project “Naharpur Prints” that was named after Naharpur – the area with...
Review
Cosmic Grooves a.k.a. Pranay Bakshi hasn’t designed the EP to be memorable. The experience of listening to this dense four track body of work...
Interview
What’s it been like performing in the city – Delhi? Wesley Schultz: It’s been mind-blowing! Hard to wrap our heads around playing in a...
Interview
As Kerala’s biggest electronic music festival Kappa CULTR returns to Kochi from 20th to 22nd February, the 3rd edition of the festival proves it...
FEATURED
In an era where India’s music streaming numbers are hitting unprecedented highs, the conversation is no longer just about who is topping the charts...
Interview
Ever so rarely, one has the opportunity to meet a person so full that their sense of completeness seeps into one’s own being. This...
Review
Tired of Almost is a 3-track by melodic house producer and DJ Kaigan, who hails from the remote Desaiganj in Gadchiroli. This record, his...
FEATURED
WTF! No, I don’t mean to delineate a moment of disgust or surprise. To be honest, it’s not a moment, or is it? (winks)...
Review
Rushil Sudrania’s, better known as Mixed Signals, new EP Right Place Wrong Time is a 5 song, 13 minute long record — and is...