Review
Releasing off the heels of their collaborative 2024 album ‘Haal-e-dil’ the duo have opted for a more simple approach, while still preserving their Indian...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Mixed Signals Explores Fate and Digital Chaos in New Glitch Pop EP ‘Right Place Wrong Time’
“All skies lead to the sun”: Bimurta’s debut EP leaves a noteworthy mark in Indian post-metal
Pho redefines Indian R&B with the atmospheric and introspective EP ‘Terminal 2’
Karan Verma proves that he is the new voice Indian Rock needs with His Debut Album ‘Parichay’
OX7GEN’s ‘Body Mechanics’ crafts a kinetic masterclass in raw and uncategorized dance music
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
“I’m still working on my Picasso or Basquiat. The curtains will drop when the paint is dry” – In Conversation With FENGa
At Kappa CULTR, Versus Tests a New Kind of Festival Space
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...
Review
Albela’s new EP, BOHOT AJEEB ARTIST, is part of the artist praxis one engages in to reconcile with oneself. With cover art that resembles...
Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
Opinion
Arshaq Malik is a Bangalore-born and UK-based rapper/producer who has established himself as one of the most versatile hip-hop voices from the Indian underground....
Opinion
Aksomaniac is a producer, pianist and storyteller who has steadily been reshaping the emotional vocabulary of Malayalam R&B. He paused his pursuing of engineering...
FEATURED
The JBL Music Academy has steadily grown into one of India’s most exciting platforms for emerging musicians — a space where raw talent meets...
Interview
Siddharth, widely known as S.I.D, is a versatile figure in Kannada hip-hop, functioning as a rapper, music producer, editor, and visual effects artist. With...
Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
Review
On his latest EP, Foenix a.k.a. Rohit Mukherjee polishes his already established disco sound fused with retro Indian aesthetics. He’s also made use of...