Opinion
Chaar Diwaari is one of the most magnetic forces in the current music scene, the kind of artist you find yourself drawn to without...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Nanku’s Pyar N’ Stuff is Hindi Pop Extravaganza At Its Finest
Melodic House Artist Kaigan Translates Personal Determination Into Euphoric Electronic Soundscapes through ‘Tired Of Almost’
Mixed Signals Explores Fate and Digital Chaos in New Glitch Pop EP ‘Right Place Wrong Time’
“All skies lead to the sun”: Bimurta’s debut EP leaves a noteworthy mark in Indian post-metal
Pho redefines Indian R&B with the atmospheric and introspective EP ‘Terminal 2’
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
The Sonic World of Chaar Diwaari: Interpreting His Discography Through the Palette of Navarasa
The Lumineers and ‘The Circle of Life’ – On Automatic, Addiction, Alcoholism & the Ache of Family!
“Growth has given us reach. Intention keeps us grounded.” Say Kappa CULTR’s Founders Mayura and Devika
How The Indian Music Charts Podcast Is Decoding India’s Evolving Music Economy
“I wanted to really rinse the meaning of every word I was saying.” — In Conversation With Karshni
The Indian Music Diaries — India's guide to contemporary music
Review
It has been a while since the release of his last full-length project “Naharpur Prints” that was named after Naharpur – the area with...
Interview
What’s it been like performing in the city – Delhi? Wesley Schultz: It’s been mind-blowing! Hard to wrap our heads around playing in a...
Interview
As Kerala’s biggest electronic music festival Kappa CULTR returns to Kochi from 20th to 22nd February, the 3rd edition of the festival proves it...
FEATURED
In an era where India’s music streaming numbers are hitting unprecedented highs, the conversation is no longer just about who is topping the charts...
Interview
Ever so rarely, one has the opportunity to meet a person so full that their sense of completeness seeps into one’s own being. This...
Review
Tired of Almost is a 3-track by melodic house producer and DJ Kaigan, who hails from the remote Desaiganj in Gadchiroli. This record, his...
FEATURED
WTF! No, I don’t mean to delineate a moment of disgust or surprise. To be honest, it’s not a moment, or is it? (winks)...
Review
Rushil Sudrania’s, better known as Mixed Signals, new EP Right Place Wrong Time is a 5 song, 13 minute long record — and is...
Review
The new year has kicked off with a fresh addition to the widening horizons of post-metal in India. Bimurta, a trio hailing from the...
Review
Pho is one of the most compelling young voices in today’s Indian music landscape — an artist who treats genre as a playground rather...
Review
After being named as best debut artist by multiple outlets, Karan Verma’s debut album, Parichay, is finally out. The record is around 30 minutes...
FEATURED
If you spend enough time at festivals, you start to notice patterns. People drift between stages, hover at the edges of crowds, look for...
Review
I listen to OX7GEN’s EP Body Mechanics in Goa, which is perhaps one of the most ideal places to do so, while assembling chairs...
Review
Mumbai is bygone paraphernalia brought out of the attic to resuscitate the timeless in the new EX GENERATION album, The Mumbai Exchange. Spanning nine...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Rap in India isn’t a new phenomenon anymore. Every artists release in this genre is adding to the Indian-ness of Rap, shedding light on...