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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
Panther’s new Hip-Hop EP ‘shehro ke safed sadkon pe sehroon ke sangeen safar’ is packed with production, hooks and wit
With ’27 CLUB’, RANJ’s Debut Mixtape Reframes Indian R&B Through a Woman’s Lens
‘Garhkumaon’ by Tarun Redefines The Sound And Soul Of Modern Indian Regional Rap
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
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Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Opinion
In the last decade, India’s independent music scene has grown rapidly, driven by streaming platforms, social media, and a generation of artists eager to...
Review
‘stay for a meal’ is the perfect title for a debut album that feels like the ideal soundtrack to an intimate house party, a...
Review
A lot of shauharty has been about mythos, a product of his own narratorial music-making that almost functions as a literature of himself, and...
Review
Nyima Vol. 1 is an interesting release. A press release informs me, “Nyima Records, one of Femme Music’s flagship sub-labels, was launched to champion...
Review
In Candescence is a sparkling example of what can happen when two vastly different musical worlds collide in one harmony. This much-anticipated collaboration between...
Review
Chandigarh-based pop-rock artist Naalayak has released his fourth record, MARAMMAT, that takes a deep dive into the process of healing and self-repair. This eight-track...
FEATURED
The indie circuit of India is overflowing with fresh sounds and this roundup highlights just how diverse the landscape has become. Whether it is...
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...
Interview
Siddharth, widely known as S.I.D, is a versatile figure in Kannada hip-hop, functioning as a rapper, music producer, editor, and visual effects artist. With...