From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression

Fox In The Garden Finds Their Voice In The Vulnerable, High-Octane Indie Rock Album ‘Doom In Bloom’

‘Eyes Can Hear, Ears Can See’ by Dirty Class is a Lesson in Remembrance for what Rock Music is

Siyaahi’s ‘SULTANATE’ redefines DHH with Authentic and Diverse Collaborations

Darcy Melds Rage and Melody in His Final Mixtape ‘Abhi Nahi Toh Kabhi’

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’

‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop

Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era

What K Pop and Latin Music Got Right — and what Indian Indie Needs to Learn

Cultural Imperialism or Collaboration? Western Influences on the Indian Indie Scene