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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
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FEATURED
From bansuri virtuosos to studio engineers, the album draws on a deep network of Indian collaborators. Scan the tracklist of Gorillaz’s ninth studio album,...
Review
Regional hip-hop projects in India often carry predictable expectations: to celebrate the language, showcase the pride, translate local identity into something nationally consumable &...
Interview
Run it’s the Kid was one of those cult underground bands that all the music nerds knew of but never has the band ever...
Review
On his newest album, screamer turned media lawyer turned singer songwriter, Shourya Malhotra creates a body of work that can soundtrack a busy sunny...
Opinion
Chaar Diwaari is one of the most magnetic forces in the current music scene, the kind of artist you find yourself drawn to without...
Review
Cosmic Grooves a.k.a. Pranay Bakshi hasn’t designed the EP to be memorable. The experience of listening to this dense four track body of work...
Review
Rushil Sudrania’s, better known as Mixed Signals, new EP Right Place Wrong Time is a 5 song, 13 minute long record — and is...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Bands are making a comeback and with it we’re once again getting to see musical identities that are bigger than any one person. In...
FEATURED
Indian hip hop right now is rising steadily and at a peak stage of experimentation. Away from one single sound, artists are carving their...