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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression
Fox In The Garden Finds Their Voice In The Vulnerable, High-Octane Indie Rock Album ‘Doom In Bloom’
‘Eyes Can Hear, Ears Can See’ by Dirty Class is a Lesson in Remembrance for what Rock Music is
Siyaahi’s ‘SULTANATE’ redefines DHH with Authentic and Diverse Collaborations
Darcy Melds Rage and Melody in His Final Mixtape ‘Abhi Nahi Toh Kabhi’
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era
What K Pop and Latin Music Got Right — and what Indian Indie Needs to Learn
Cultural Imperialism or Collaboration? Western Influences on the Indian Indie Scene
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Review
After eight years of navigating India’s blossoming hip-hop scene, Mumbai rapper Darcy is closing a chapter of his artistic journey with Abhi Nahi Toh...
Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Opinion
In the last decade, India’s independent music scene has grown rapidly, driven by streaming platforms, social media, and a generation of artists eager to...
Review
‘stay for a meal’ is the perfect title for a debut album that feels like the ideal soundtrack to an intimate house party, a...
Review
A lot of shauharty has been about mythos, a product of his own narratorial music-making that almost functions as a literature of himself, and...
Review
Nyima Vol. 1 is an interesting release. A press release informs me, “Nyima Records, one of Femme Music’s flagship sub-labels, was launched to champion...
Review
In Candescence is a sparkling example of what can happen when two vastly different musical worlds collide in one harmony. This much-anticipated collaboration between...
Review
Chandigarh-based pop-rock artist Naalayak has released his fourth record, MARAMMAT, that takes a deep dive into the process of healing and self-repair. This eight-track...
FEATURED
The indie circuit of India is overflowing with fresh sounds and this roundup highlights just how diverse the landscape has become. Whether it is...
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...