Interview
Rushil Aswal, a dynamic 25-year-old singer songwriter and producer from New Delhi is an artist whose music transcends conventional boundaries. Since 2022 when he...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Mixed Signals Explores Fate and Digital Chaos in New Glitch Pop EP ‘Right Place Wrong Time’
“All skies lead to the sun”: Bimurta’s debut EP leaves a noteworthy mark in Indian post-metal
Pho redefines Indian R&B with the atmospheric and introspective EP ‘Terminal 2’
Karan Verma proves that he is the new voice Indian Rock needs with His Debut Album ‘Parichay’
OX7GEN’s ‘Body Mechanics’ crafts a kinetic masterclass in raw and uncategorized dance music
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
“I’m still working on my Picasso or Basquiat. The curtains will drop when the paint is dry” – In Conversation With FENGa
At Kappa CULTR, Versus Tests a New Kind of Festival Space
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Review
Ice Cream Frappe is the latest offering from Delhi-based rapper Frappe Ash, and it’s as colorful and refreshing as its title suggests. Released on...
Review
People to Meet, Places to See is a record that captures the energy, unpredictability and color of life on the road. Written while touring...
Review
Electronic Music in India has come a long way over the 2010s and in the 20s, the genre plays a crucial role not just...
Opinion
Mumbai, Bangalore and Gurgaon see a flood of international artists headlining events and festivals but that hasn’t been the case for the capital. Why?...
Callback
Quite often, while reviewing music – I dunk on electropop, anything that is too reliant on synths and safely nestled in beat-topia. It is...
Review
Some records feel as though they have been lifted from another era, and Giddy Hoo’s debut EP, Finally Found, is one of them. The...
Opinion
There was a time in India when the best way to discover new music wasn’t Spotify playlists or Instagram reels; it was a college...
Review
BENDI’s Heartspace starts off with the rumbling of clouds, a distorted voice and an unleashing of electropop – as the first track, THUNDERSTORMS IN...
Review
While always being known to have a proclivity for being left of centre, with this EP KAVYA has cemented this fact in permanence. Following...