Review
Dirty Class is a psychedelic rock outfit famous for their immersive live performances, soul-stirring energy and an approach to musicality that is straight out...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Rebel 7 & Lil Kabeer’s newest Rap Album ‘NANO’ is zippy, goofy and nasty
Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression
Fox In The Garden Finds Their Voice In The Vulnerable, High-Octane Indie Rock Album ‘Doom In Bloom’
‘Eyes Can Hear, Ears Can See’ by Dirty Class is a Lesson in Remembrance for what Rock Music is
Siyaahi’s ‘SULTANATE’ redefines DHH with Authentic and Diverse Collaborations
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era
What K Pop and Latin Music Got Right — and what Indian Indie Needs to Learn
Cultural Imperialism or Collaboration? Western Influences on the Indian Indie Scene
Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Review
After years of carving their own space in the indie landscape – The Yellow Diary finally steps into a new chapter with their debut...
Music Festivals
G5A is a community for experimental and independent arts practice. The G5A Foundation for Contemporary Culture was envisioned and founded by Anuradha Parikh, an...
Opinion
Arshaq Malik is a Bangalore-born and UK-based rapper/producer who has established himself as one of the most versatile hip-hop voices from the Indian underground....
Opinion
Aksomaniac is a producer, pianist and storyteller who has steadily been reshaping the emotional vocabulary of Malayalam R&B. He paused his pursuing of engineering...
Callback
What is that feeling when a song reminds you of something that never was? Sometimes you hear an act and wonder why the views...
Opinion
Gorillaz is a virtual band created by Damon Albarn (frontman of Blur) and comic artist Jamie Hewlett comprising of four fictional members – 2-D,...
Review
People to Meet, Places to See is a record that captures the energy, unpredictability and color of life on the road. Written while touring...
Opinion
Mumbai, Bangalore and Gurgaon see a flood of international artists headlining events and festivals but that hasn’t been the case for the capital. Why?...