Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Interview
Few acts in India’s rock landscape have pushed boundaries like Antariksh. Blending odd-timed riffs with Hindustani classical elements, grand choruses, and emotionally charged storytelling,...
Interview
Run it’s the Kid was one of those cult underground bands that all the music nerds knew of but never has the band ever...
Review
It has been a while since the release of his last full-length project “Naharpur Prints” that was named after Naharpur – the area with...
Interview
What’s it been like performing in the city – Delhi? Wesley Schultz: It’s been mind-blowing! Hard to wrap our heads around playing in a...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Dirty Class is a psychedelic rock outfit famous for their immersive live performances, soul-stirring energy and an approach to musicality that is straight out...
Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Review
After years of carving their own space in the indie landscape – The Yellow Diary finally steps into a new chapter with their debut...
Music Festivals
G5A is a community for experimental and independent arts practice. The G5A Foundation for Contemporary Culture was envisioned and founded by Anuradha Parikh, an...