Interview
As Kerala’s biggest electronic music festival Kappa CULTR returns to Kochi from 20th to 22nd February, the 3rd edition of the festival proves it...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Callback
My mother and I have a very few things in common, especially when it comes to how we have spent our days in the...
Interview
Few acts in India’s rock landscape have pushed boundaries like Antariksh. Blending odd-timed riffs with Hindustani classical elements, grand choruses, and emotionally charged storytelling,...
FEATURED
The dust has settled at The Auditorium in Gurugram, but the energy from RISE//DEL 2026 is still vibrating through the creative corridors of the...
Callback
Very few singers have a voice like Suman Sridhar’s, even fewer have not heard of her. Anyone who possessed a sense of gravitation towards...
FEATURED
In an era where India’s music streaming numbers are hitting unprecedented highs, the conversation is no longer just about who is topping the charts...
Interview
Ever so rarely, one has the opportunity to meet a person so full that their sense of completeness seeps into one’s own being. This...
FEATURED
WTF! No, I don’t mean to delineate a moment of disgust or surprise. To be honest, it’s not a moment, or is it? (winks)...
FEATURED
If you spend enough time at festivals, you start to notice patterns. People drift between stages, hover at the edges of crowds, look for...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
FEATURED
When artists from different parts of the world come together, the result often depends on how much room they are given to simply exist...
FEATURED
Indian hip hop right now is rising steadily and at a peak stage of experimentation. Away from one single sound, artists are carving their...
Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Opinion
In the last decade, India’s independent music scene has grown rapidly, driven by streaming platforms, social media, and a generation of artists eager to...