Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Hi, what are you looking for?
The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Garhkumaon’ by Tarun Redefines The Sound And Soul Of Modern Indian Regional Rap
Ahuja and Mittal Explore Nauseating Spiritualism Through Hazy Synths In ‘Feeling So Good’
Shourya Malhotra crafts Indie folk tunes to sail through the day in Album ‘Everybody Knows, Everybody Understands’
Sacred Disobedience and Sonic Dissonance : Inside keichyna’s RHAPSODY OF THE EXILED
Nanku’s Pyar N’ Stuff is Hindi Pop Extravaganza At Its Finest
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Are Payment Delays Silencing the Voices of Independent Music?
“Part Of Our Legacy Would Be Having People Listen To Our Music And Follow It” — In Conversation With Run It’s The Kid
Release Spotlight #104 – Electronica, Pop, Metal & More!
The Sonic World of Chaar Diwaari: Interpreting His Discography Through the Palette of Navarasa
The Lumineers and ‘The Circle of Life’ – On Automatic, Addiction, Alcoholism & the Ache of Family!
Opinion
We often hear that change is the only constant, yet when you pause and look around, it’s hard not to notice that some things...
Interview
Run it’s the Kid was one of those cult underground bands that all the music nerds knew of but never has the band ever...
FEATURED
From the visceral gut-punch of modern metal to the shimmering, neon-soaked corridors of electro-pop, the Indian independent circuit continues to prove it has no...
Opinion
Chaar Diwaari is one of the most magnetic forces in the current music scene, the kind of artist you find yourself drawn to without...
FEATURED
When artists from different parts of the world come together, the result often depends on how much room they are given to simply exist...
FEATURED
Indian hip hop right now is rising steadily and at a peak stage of experimentation. Away from one single sound, artists are carving their...
Opinion
Arjun who used to intern at Pagal Records in HKV tells me about this band called Panchiko who was a forgotten obscure act until...
Opinion
In the last decade, India’s independent music scene has grown rapidly, driven by streaming platforms, social media, and a generation of artists eager to...
Opinion
The Indian indie music scene today is a fascinating mix of rebellion, reinvention, and rediscovery. In a country where Bollywood has long dominated the...
FEATURED
Ten years ago, in the heart of Mumbai’s Shakti Mills, an idea began to take shape for Anuradha Parikh — to create a space...
FEATURED
Every so often, a festival arrives that feels less like an escape and more like a return. A return to nature, to creativity, to...
Interview
Emerging from the misty hills of Aizawl in 2021, RNZX has rapidly become Mizoram’s most vital indie export. The sibling duo – multi-instrumentalist, songwriter,...
Opinion
Encore ABJ and Calm the two voices that went from underground challengers to the undisputed rulers of the Indian hip-hop scene. Abhijay Negi (Encore...