From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Antariksh’s ‘Quest’: A Musical Odyssey of Self-Discovery

SYEYL’S New EP Temporal Drift is A Journey in Ambience and Emotion

Tejas’ Small Victories is Music In Time Capsule Form

Lost Stories’ Latest EP SOMA Bridges Folk & Electronica

“Thuanku The”: KL Pamei’s Latest Album is a Blend of Soulful Melodies and Cultural Exploration

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Venoz’s New EP Saanp Seedhi Is A Manifestation of His Cinematic Sensibilities

G5A’s Live at the Warehouse Gig Series Is The Ultimate Celebration of Indie Music

“Changing my sound is something I look forward to doing whenever I make a new project” – In Conversation With Bharg

“Once it Was Confirmed That We’d Be Going to India, I knew I wanted to Collaborate With Some Amazing Indian Artists”- In Conversation With ASTERISM

Laughter and Earnestness: Unveiling the Layers of Chandrabindoo’s “Juju”