From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Shubhank Sharma’s Himalaya Se is A Progressive Rock Ode to Mountain Silence

Josiah Ranpal’s Latest EP Is a Late Night Jazz Fever Dream

Albela brings The Eccentric Voice of Nangloi and Radical Truth to Desi Hip-Hop through latest album

When Hush Falls’ EP ‘Migration’ Brings Tranquility Through Electronica and Field Recordings

The Dhanan Project’s Debut Album Proves That Ghazals, Blues, and Jazz Belong in the Same Room

The Colour Of Music aka Synesthesia: Inside the Minds That See Sound

20 sound engineering terms musicians need to know for their next soundcheck

11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Voodoo Valley Returns for a Three-Day Convergence of Music, Community, and Nature

Sound of Women: Preserving the radical & unheard folk voices Through a Mobile Studio

“The dancefloor and the introspective space don’t have to be separate” – In Conversation With Albela

Breaking Bread with the Indian Music Scene: Inside Saransh Kharbanda’s ‘Pak Pak Pakao’

From Peter Cat & the F16s to Tom Morello: Meet One Of India’s most trusted sound engineers – Prathik Nedungadi