From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

A Deep Dive into Disarray: Tienas’ latest album ‘O (Deluxe)’

‘Strongest Boy Alive’ Marks A Bright Dawn for Savera’s Solo Career

‘Chehre’ by Karun: The masks we wear to survive and what happens when we remove them

“Sunflowers & Dreams”: Max Kate’s EP Is a Raw, Reflective Glimpse into His Life

‘Priceless’ by Dino James: An Album That Hits Where It Hurts (In a Good Way)

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Producer-Led Albums: Why It’s Time We Let Them Take Center Stage

Kashmir is a haunt that never pauses: The legacy of Gaekhir Republik’s ‘Madnyan Shaam’

Flex-perience Over Experience- Is That the New Normal?

The Evolution of Gig Fashion in India: From the 1980s to Today

“You have to be the citizen of the world you believe” – In Conversation With Dohnraj