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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
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Review
I found Tarun Balani accidentally in a pile of LPs at Pagal Records, HKV. The Shape of Things to Come lay awaiting its beholder...
Review
I listen to Ayush Sayalkar’s “till i see you” in the rain. In the midst of being plagued by the making of a documentary...
Callback
Jamblu’s music enters my life quite strangely. I spend a couple of debilitating weeks listening to Service Animal, and it feels incapacitating – because...
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My introduction to Maati Baani wasn’t marked by a single track or moment — it was My introduction to Maati Baani wasn’t marked by...
Review
I found Bloodywood through their 2020 documentary Raj Against the Machine, which followed their first big tour through Europe. I wasn’t even deep into...
Review
Picture this: You are in an interview and someone is asking you “What do you love about music?” and borrowing Russell’s dialogue from Almost...
Review
Emerging from the vibrant musical landscape of Gangtok, Sikkim, Harrowing Dearth is a compelling punk-prog duo comprising Josiah Ranpal and Abhinav Sharma. Josiah brings...
FEATURED
This edition of the release roundup brings new music that’s doing its own thing — from indie pop and garage rock to ambient electronica,...
Review
There is something irretrievably special about producer-led music projects, especially when they rear their heads in the Indian independent soundscape. A metaphorical angel gains...
Review
The tone is foreboding and the album almost creeps up on you, but Moosa Saleem’s fifth album starts off strong. The album is titled...