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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Shaastriya Sangeet Vol. II is the Tabla-Techno Crossover You Never Saw Coming
Runt’s eponymous album Is a Gritty, Honest Debut Rooted in Alternative Rock
Sambit Chatterjee’s ‘Letters for Inca’ Is a Labour of Love and Genre – Fluid Experimentation
Khokkosh.’s ‘Public Fluid and Digital Remembrance’ drowns you with unhinged sound design and graphic writing
From Folk to Dissonant Electronica: Shashwat Bulusu’s Sonic Confessions in ‘Pinocchio’
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
“We weren’t simply building a pressing plant; we wanted to build an ecosystem” – In-Conversation with Saji Pillai – Founder of Samanvii
From Shabad to Trap: The Unstoppable Evolution of Rashmeet Kaur
“You can’t really fake curiosity or love for a language or culture just to chase an audience” – In Conversation With Damini Bhatla
“Our vision today is to create original music that stays deeply rooted in Indian musical traditions” – In Conversation With Tarana
Are We Turning Concerts Into a Fandom Entrance Exam and Killing the Vibe?
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Opinion
Put on five different Rashmeet Kaur songs back-to-back, and you could be forgiven for thinking you were listening to five different artists. There’s the...
Review
Australia-based Indian-origin artist Neeharika Shyju is a classical vocalist and composer whose work bridges cultural divides. Grounded in both Indian and Western classical traditions,...
Review
The first thing I noticed was a fridge door. The cover art of ‘everyone’s a baby’ showcases a paper butterfly, a magnet, a photograph...
Review
It has been four years since Qurbat, but the gap has done Bharat Chauhan no harm at all; if anything, his second album came...
Review
Reverse Osmosis returns with Unable Unstable, a 10-track LP released via Thunderstruck Records that embraces controlled chaos. Rooted in underground electronic music, the album...
Interview
“All of us are looking for second chances to be ourselves.” Suraj Mani tells us when asked about the story of the record and...
FEATURED
The Indian independent music landscape thrives on diversity, with artists embracing regional roots while exploring global sounds. This roundup brings together everything from intimate...
Review
Smiti Malik’s debut solo EP : Sad Songs for A Sunday, is confessional in nature. This is a fairly obvious observation — because Malik...
Review
It’s been less than a year since Shillong-based hardcore group Catatonic released their sophomore EP titled “Metanoia”, and the lads are back with another...
Review
If you’ve spent any time around Kerala’s indie music scene in the last few years, you’ve probably crossed paths with Haniya Nafisa. She’s a...