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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
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Review
Coming from a city rooted in formal Carnatic concerts and classic rock, Jatayu has carved out this nu-jazz space for themselves. Their songs feel...
Review
Have you ever pondered about what makes your identity, during a moment of self-reflection or while thinking of the world? Assuming that many of...
Review
Hailing from Bhilai in Chattisgarh, rap duo SPAZZERS recently released their first EP titled “Title is Due”, in collaboration with Nagpur based producer ATHRV....
Review
Five years after they released their beloved debut album “Ah Puch”, Dirge returned in March with their much awaited second album; a self-titled effort...
Review
Zyakuni In My Backyard (ZIMB) is a Delhi-based pop/rock independent band. The band name was conceptualized by Shraddha Jennifer Singh and Anushka J Datta...
Review
Sohail Arora’s debut EP, EZ Riser, marks his expressive and full-blown arrival as a professional musician. An emotional and raw 6-track project, the EP...
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As an artist it is more essential than ever to share your creations with the world. No matter what your art of choice, people...
Review
“Hey, Ho, I need to try, I don’t breathe , he’s still there, not very far”, cries an anxious Aruna Jade to the backdrop...
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Rhythm Shaw has been called a prodigy since before most musicians figure out what they want to sound like. Classically trained on guitar, formally...