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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
The Dhanan Project’s Debut Album Proves That Ghazals, Blues, and Jazz Belong in the Same Room
Technical Precision Meets Artistic Curiosity in DJazz’s latest release ‘Her Mom’s A Gypsy’
sxnchay & Moonjock Mixes Pop Rap & Acoustic Soul In Their Mixtape ‘Twentysomethings’
Dolorblind Challenges Indian Melodic Tastes by Integrating Gritty Textures into Electronic Pop through EP ‘No Signals’
Pina Colada Blues & Jai Matt Bring Early-2000s Pop to Malayalam with their Mixtape ‘J2K, Vol. 1’
- Industry Insight
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
- Featured
Breaking Bread with the Indian Music Scene: Inside Saransh Kharbanda’s ‘Pak Pak Pakao’
From Peter Cat & the F16s to Tom Morello: Meet One Of India’s most trusted sound engineers – Prathik Nedungadi
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
FEATURED
What happens when a corporate leader with 13 years of experience at Google and YouTube Music takes a year-long sabbatical? For Saransh Kharbanda, that...
Interview
Prathik has been the FOH for Peter Cat Recording Co, The F16’s and many more premier acts. From revealing what it is actually is...
FEATURED
The pulse of the independent circuit is best felt through its diversity, where every day brings a collision of genres that somehow find a...
Opinion
Every festival season in India begins the same way. Lineups drop. Group chats explode. Tickets sell out. And somewhere in the middle of all...
Callback
I have always had an odd fascination with the title of a particular Kazuo Ishiguro book — “The Remains of The Day”. For reasons...
FEATURED
India’s leading B2B music industry conference, All About Music (AAM), is set to return for its 8th edition this August. The conference, known for...
Interview
22 year-old Somansh Sharma’s studio is an eclectic place — with walls adorned by a framed poster of JPEGMAFIA, eccentric art, a psychedelia inspired...
Interview
Meghan Katti describes himself as ‘a multifaceted creative force’ which is quite apt considering he is a renowned director, director of photography (DOP), editor,...
Interview
Raghav Bhatia, commonly known as Boyblanck, is a Noida-based trap artist and has been releasing music for close to five years now. He is...
FEATURED
Another day, another roundup! Featuring some of the most amazing indie musicians our country offers, this roundup has genres spanning from jazz funk, modern...
Callback
One of the peculiar habits that I have picked up is the petulant urge to walk extreme distances after sunset — once having hit...
Interview
A singer-songwriter and pianist based in Bangalore, Tarang Joseph is originally from Kerala, but born in Malaysia and raised in California. Exposed to numerous...
Interview
Chitransh Yadav, commonly known as Apethroat, is one of the very few people practising the world music genre in India. His original pieces like...