From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

FENGa’s Personal DIY Hip-Hop Debut WTF! Bridges Indie Sound with Mizo Heritage

Albela Swims Out of grief in lyric-heavy, trap-jazz EP ‘Bohot Ajeeb Artist’

Shaastriya Frequencies: DJazz’s Classical Collision and Tabla Electronica in new EP

Varun Nimbolkar’s ‘Bah Bah Black Sheep’ Sits Comfortably Between Indian Classical and Electronica

Sakré’s new beat tape ‘Bangalore Sonic Archives’ feels a like a walk through the city

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Arshaq Malik: A Voice Blending Industrial Edge, Jazz Soul, and Unstoppable Lyricism

Queer Identity, Sex Positivity, Self Love & Other Transgressions on Aksomaniac’s ‘Varthamanam’

JBL Music Academy 2025: Where India’s Next Wave of Artists Turned Ambition Into Sound

“From my bedroom to digital stores, that’s the journey of every song I make” – In Conversation With S.I.D

“We wanted to bring abstract hip-hop to Kerala, that was the whole idea” – In Conversation with bunnyboo