Review
Early in July last year, The Indian Music Diaries posted an article encouraging our readers to help crowdfund Nowhere Station’s debut album. The Delhi...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
The pain of losing a parent is unparralled and is dealt by people in their own personal ways. When renowned bassist and producer Harshit...
Review
On its first hearing, we would probably wonder what Banat’s ‘Flish’ is all about? But on a more nuanced listen, we would understand that...
Review
Chennai born Mumbai based singer-songwriter Zoe Siddharth’s debut song ‘Human’ released late last month. According to the artist ‘Human’ is about the journey of...
Review
The MVMNT, a hip hop collective and record label started by producer Sez on the Beat and music executive Faizan Khan has been the...
Review
Love. Heartbreak. Mental health. “30th of February”, Akshit Dhall’s debut EP touches upon all these topics, mainly concerning the young generation of today. The...
Review
Delhi based Azadi Records and Mumbai’s Gully Gang Entertainment’s very first collaboration is a track titled ‘Dum Pishaach’ and is produced by Gully Gang’s...
Review
Let’s rewind the clocks a touch all the way back to 2004. The relatively tenderfoot indie music environment in Delhi consisting of a few...
Review
An enticing amassment of beautiful ambient guitar tones coupled with a byzantine arrangement of odd-time signatures, Krishna Peri’s new release “Across the Horizon” highlights...
Latest
Every few weeks there are so many singles released by both, renowned musicians as well as new ones, that it can be difficult to...