Interview
They say that good art is inspired by the world. That it looks deeper into the cause and effect of our actions. In the...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
How Hadi Turned Found Noise into Indian Alt Hip-Hop’s Boldest EP ‘RAWBONED’
Smiti Malik’s Debut Solo EP, Sad Songs for A Sunday, Reflects on The Banality of Melancholia
Catatonic’s Feedback-Tinged EP ‘Smug’ Is An Homage To The Noise Of Punk
Inside ‘Vaakkath’: Haniya Nafisa on Vocal Power, Collaboration, and Art Without Fear
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
“You need to put in your 10,000 hours. Do it as if you don’t have anything else to do” – In Conversation With Akash Shravan
Release Spotlight #106 – Bossa Nova, Indie Pop, Electronica & More
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
“You lose money from indie, you make money from indie, you put money back into indie!” – In Conversation With Ankit
Interview
“All of us are looking for second chances to be ourselves.” Suraj Mani tells us when asked about the story of the record and...
Review
The first thing that stood out to me when I sat down to talk to Hadi was his infectious energy. I could almost see...
Review
Smiti Malik’s debut solo EP : Sad Songs for A Sunday, is confessional in nature. This is a fairly obvious observation — because Malik...
Review
It’s been less than a year since Shillong-based hardcore group Catatonic released their sophomore EP titled “Metanoia”, and the lads are back with another...
Review
Most of the music that I’ve been drawn to and have had a strong emotional connection with has usually had a common thread. Times...
Review
Right from the beginning, with chirping birds, ambient sounds and classical-like vocal stretching in the title track, Sanoli encapsulates the whole mood of this...
Interview
Whether one intends it to or not, the music an artist creates will be labelled – by genre, by country, by era, by ‘vibe’....
Review
Mr. Todu’s debut album Aadarsh Bars is an all-out exercise in maximalism, genre-hopping every other track and blending sounds and styles which would otherwise...
Review
Kevin Shaji aka Pina Colada Blues has made quite a name for himself in Kerala’s music circuit. Kevin is an indie music producer hailing...
Review
The significance, or the lack of it, of a name has been debated for ages. Perhaps even more questionable is the role a moniker...
Review
Drummers as composers and band leaders are once again finding their (rightful) place at the forefront of modern jazz, aided and abetted by the...
Review
Ko-Lab is the debut 4-track EP by childhood friends and hip-hop duo, Irfana and Taslina. The ‘ko’ in Ko-Lab refers to Kodaikanal, the project...
Review
Working with other people in a team can often be a daunting process- particularly when you are representatives of a creative community. Our art...