Review
Haalaat, with a runtime of roughly over 16 minutes, exists somewhere on the indie-pop-rnb-hip-hop spectrum like much of the work coming out from the...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
Being a publication that champions the cause of indie music, TIMD has been overjoyed to see the expansion in diversity of music being produced...
Review
The modern indie music landscape has seen a steady surge in the quantity and quality, of bands and singer-songwriters, over the years, tapping into...
Review
The name Fried Pajamas definitely catches one’s attention but more so, it paints a vivid picture in mind. Supplementing this quirky image along with...
Interview
They say that good art is inspired by the world. That it looks deeper into the cause and effect of our actions. In the...
Review
Most of the music that I’ve been drawn to and have had a strong emotional connection with has usually had a common thread. Times...
Review
Right from the beginning, with chirping birds, ambient sounds and classical-like vocal stretching in the title track, Sanoli encapsulates the whole mood of this...
Interview
Whether one intends it to or not, the music an artist creates will be labelled – by genre, by country, by era, by ‘vibe’....
Review
Mr. Todu’s debut album Aadarsh Bars is an all-out exercise in maximalism, genre-hopping every other track and blending sounds and styles which would otherwise...
Review
Kevin Shaji aka Pina Colada Blues has made quite a name for himself in Kerala’s music circuit. Kevin is an indie music producer hailing...