Review
Every once in a while, an artist releases a project that works its way through the fog of your headspace and gently wafts the...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Pina Colada Blues & Jai Matt Bring Early-2000s Pop to Malayalam with their Mixtape ‘J2K, Vol. 1’
Grave Defines the Modern Rave Through Minimalist and Menacing Sonic Textured EP ‘Cerebral Malfunction’
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Review
If you’ve been paying attention to pop music in 2026, you’ve probably noticed how much of it sounds like 2002. Y2K nostalgia has moved...
Review
GRAVE a.k.a. Vipul Verma, who also happens to be the vocalist for Kraken has finally shared his new project under the aforementioned moniker. Though...
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
In the age of many tired attempts at a Y2K revival, no generation has found a greater kinship with the Y2K era than the...
Review
There is an inherent splendor to fusion music, something that has so tangible a quality of excitability that it prods at all your musical...
Review
Picture this: a dimly lit room, guitars leaning against the wall, a jumble of wires snaking across the floor, and a young musician, eyes...
Review
It’s been a good year for PCRC fans all around the world, with the band announcing a new album “Beta” for a 2024 release...
Review
2024 has seen a new batch of independent artists who create music using sounds that have not been explored before. Poorvaxxxpress, a multidisciplinary project...
Review
The modern audience dwells in a dynamic state of the music industry. As the chokehold of commercial projects, boosted by cash-rich contracts, sugar-coated with...
Review
Listening to records that traverse through routes of neo-soul, R&B chill and jazz especially when the creatives behind them are Indian, is always a...
Review
Breaking out onto the scene with his never-seen-before multilingual, vernacular hip hop “The Intro”, Yung Sammy has been a force to reckon with ever...
Review
Nikhil D’Souza, the voice behind Bollywood hits “Mere Bina” and “Shaam,” has captivated audiences with his melodious, soft-yet-powerful vocals for over a decade. In...