Review
It is always fun when a record starts off with an artist belting. Mumbling has gotten its paws on the concept of music and...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
An EP with flavours of trapsoul, R&B, and synth, PALETTE is a collaborative project between Gangtok’s artists Siddhant Neopaney aka KSA Neo and Chomjom...
Review
In the ever-evolving landscape of contemporary jazz and rock, few artists have the audacity to rewrite the rules quite like Amyt Datta. With his...
Review
The inception of an ideology, dominant or otherwise, is as epistemologically slippery as it is phosphorescent. While the primary progenitor and locus of it...
Review
Bhrigu Sahni’s Awakening stands out as a deeply personal journey into sound, inviting listeners to experience something more than just music. Coming from Pune,...
Review
Mumbai-based electronic artist Shadaab Kadri, known as Riatsu, joins forces with Denver-based trumpeter Joshua Trinidad to deliver their latest project, Resurgence. This 6-track album...
Review
Electronic fusion music had had a very specific two-person shaped hole, at least for me, for the duration the Delhi-Durham duo Anhad+Tanner went on...
Review
I listen to Dindūn, Vol. 3 on my way to my 9 AM university lectures. I do not stumble upon it — instead, choose...
Review
When you think of Palakkad, Kerala, you might imagine serene paddy fields, warm sunny afternoons, and a rich cultural tapestry. But hold that thought—because...
Review
Guitarists, rejoice! Chirag Todi, the virtuoso from Ahmedabad, is here to show the world that the guitar still reigns supreme in the era of...