From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

With ‘Butterfly Paralysed,’ trick/switch’s Bedroom Trap Casts a Familiar Spell

Hanita Bhambri Experiments With Reconstructing Herself in “Shoharat”

Tarun Balani Makes a Museum of His Grief And Exhibits It In ‘Kadahin Milandaasin’

Ayush Sayalkar’s “till i see you” Is A Meditation On Memory

Life Until 23: Nishad G’s Cross-Cultural Debut Hits the Right Notes

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Release Spotlight #98 – Folk Fusion, Indie Pop, Electronic & More!

“I want to be known as someone who gave this rap game something new to play with” In Conversation with Colle$ttye

‘Gone Swimming’ : Jamblu’s Music and The Visceral Nature of Sound

Returning to Maati Baani’s 2016 Eponymous Album: A Mosaic of Cultures and Ragas

14 Moments Every True Fan Has Experienced at a Concert