From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Runt’s eponymous album Is a Gritty, Honest Debut Rooted in Alternative Rock

Sambit Chatterjee’s ‘Letters for Inca’ Is a Labour of Love and Genre – Fluid Experimentation

Khokkosh.’s ‘Public Fluid and Digital Remembrance’ drowns you with unhinged sound design and graphic writing

From Folk to Dissonant Electronica: Shashwat Bulusu’s Sonic Confessions in ‘Pinocchio’

Modular Delirium: Inside the fractured sonic landscapes of Somnium Monkey’s ‘Vettam’

Your ears are the biggest liars: Psychoacoustics for musicians

The Colour Of Music aka Synesthesia: Inside the Minds That See Sound

20 sound engineering terms musicians need to know for their next soundcheck

11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

“We weren’t simply building a pressing plant; we wanted to build an ecosystem” – In-Conversation with Saji Pillai – Founder of Samanvii

From Shabad to Trap: The Unstoppable Evolution of Rashmeet Kaur

“You can’t really fake curiosity or love for a language or culture just to chase an audience” – In Conversation With Damini Bhatla

“Our vision today is to create original music that stays deeply rooted in Indian musical traditions” – In Conversation With Tarana

Are We Turning Concerts Into a Fandom Entrance Exam and Killing the Vibe?