From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Alva Kuuto’s Self-Titled Album Is a Revival of a 2500-Year-Old Language

Anyasa’s ‘Flectere’: An Immersive Journey Through Melodic Techno and Indian Sounds

Yashraj’s ‘3P’ EP: Raw Energy, Online Wit, and a Clear Vision

Moksh by Rang: A Descent into Obsession, Guilt, and Grief

Sangram Malik’s Rapperoid 15SM: Of Unfiltered Narratives and Sonic Exploration

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

“One of the best things about being an independent artist is the creative freedom” – In Conversation With Kushagra

Vote For The ‘Best Artist Of The Year’ At #IMDAwards2025

From Fan Frenzy to Fury: The Recurring Problem of Late Artists and Industry Accountability

6 Guitarists To Catch At ‘Let There Be Guitar’ In Bengaluru

“We took a beautiful qawwali sample from an M. Abdul Gani performance and flipped it into an Afro-house groove” – In Conversation With Skopos and Firaaq