Review
Every once in a while, an artist releases a project that works its way through the fog of your headspace and gently wafts the...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Dhruv Kapoor’s Eponymous Debut Album Creates A Dynamic Bilingual Soundscape
SPAZZERS aim to cement their place in Desi Hip Hop with EP “Title is Due”
Raman Negi’s Chaltey Purzay is New Indian Pop Rock Brilliance
KSA Neo and Chomii Define a Rhythmic Canvas Through EP ‘PALETTE’
Amyt Datta and His Electric Power Quartet Redefine Jazz And Rock with Debut Album ‘Electric
- Industry Insight
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
Offline Music Marketing Tools For Every Independent Musician
- Featured
Is Social Media Changing the Essence of Music?
“There are a number of reasons to be angry, to revolt and it all finds a way into our music” : In Conversation With Delhivision.
“Ten Singers Dubbing Four Times Is Never The Same As 40 Singers Recording Together” – In Conversation With The Indian Choral Ensemble
Release Spotlight #90 – progressive metal, modern indie, pop fusion, & more!
Apna Sapna Money Money: The Concert Ticket Conundrum (And How The Music Industry Has Fallen Out Of Love With Its Fans)
Review
After his first project EP in 2022, Dhruv Kapoor returns with his debut album which he has self titled, taking an exciting dive into...
Review
Hailing from Bhilai in Chattisgarh, rap duo SPAZZERS recently released their first EP titled “Title is Due”, in collaboration with Nagpur based producer ATHRV....
Review
It is always fun when a record starts off with an artist belting. Mumbling has gotten its paws on the concept of music and...
Review
An EP with flavours of trapsoul, R&B, and synth, PALETTE is a collaborative project between Gangtok’s artists Siddhant Neopaney aka KSA Neo and Chomjom...
Review
In the age of many tired attempts at a Y2K revival, no generation has found a greater kinship with the Y2K era than the...
Review
There is an inherent splendor to fusion music, something that has so tangible a quality of excitability that it prods at all your musical...
Review
Picture this: a dimly lit room, guitars leaning against the wall, a jumble of wires snaking across the floor, and a young musician, eyes...
Review
It’s been a good year for PCRC fans all around the world, with the band announcing a new album “Beta” for a 2024 release...
Review
2024 has seen a new batch of independent artists who create music using sounds that have not been explored before. Poorvaxxxpress, a multidisciplinary project...
Review
The modern audience dwells in a dynamic state of the music industry. As the chokehold of commercial projects, boosted by cash-rich contracts, sugar-coated with...
Review
Listening to records that traverse through routes of neo-soul, R&B chill and jazz especially when the creatives behind them are Indian, is always a...
Review
Breaking out onto the scene with his never-seen-before multilingual, vernacular hip hop “The Intro”, Yung Sammy has been a force to reckon with ever...
Review
Nikhil D’Souza, the voice behind Bollywood hits “Mere Bina” and “Shaam,” has captivated audiences with his melodious, soft-yet-powerful vocals for over a decade. In...