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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Tarun Balani Makes a Museum of His Grief And Exhibits It In ‘Kadahin Milandaasin’
Ayush Sayalkar’s “till i see you” Is A Meditation On Memory
Life Until 23: Nishad G’s Cross-Cultural Debut Hits the Right Notes
“City of My Heart”: An EP That Travels Through Urban Loneliness and Inner Resilience
Hamza Rahimtula and The Rajasthan Folkstars Reimagine Rajasthani Tradition in “Origins”
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
‘Gone Swimming’ : Jamblu’s Music and The Visceral Nature of Sound
Returning to Maati Baani’s 2016 Eponymous Album: A Mosaic of Cultures and Ragas
14 Moments Every True Fan Has Experienced at a Concert
JBL Music Academy 2025: 3 Reasons why you should register NOW
“The only thing that can change the electronic music scene is the entry of festivals” – In Conversation with Kratex