From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Kolkata-Based Dindūn’s New EP Is A Synth-Folk Delight

Arivushala’s ‘OTW’: Revolutionizing Hip-Hop with Unique Regional Flair

Guitar Licks & Genre Tricks: Chirag Todi’s ‘Bangers Only’ Drops the Ultimate Jam Fest

Akanksha Bhandari Takes Listeners on a Love Journey with Her EP ‘Dil Se’

A Contemporary Exploration of Hindustani Classical Music: Shreya Jain’s latest EP ‘Bawari’

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Why Music Events Should Be More Inclusive and Need Reforms

Offline Music Marketing Tools For Every Independent Musician

Release Spotlight #89 – Pop, R&B, Indie-Rock, & More!

The Anirudh Varma Collective’s fusion album ‘Perspectives’: A beacon of hope in times of turmoil

“We need more performance venues and promoters who are willing to take risks on booking newer artists” – In Conversation with Ashwin Adwani

Strees, Streets aur Sheets : Why We Need To Talk About The DHH Misogyny Problem

“It took considerable courage to leave the music production world behind and focus on discovering my unique sound” – In Conversation With Siddharth Pandit