Review
Delhi-based super-producer Sez On The Beat has been on a roll in 2020. His music is pouring in the drought still, with massive cypher...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
Emerging out of the ill-equipped and scarcely resourced rock and metal scene of Goa, modern metal band Within Ceres’ recent debut EP release titled...
Review
Bangalore based experimental metal band Trash Talk recently released their second EP ‘BÜRD’, a foray into the fascinating world of birds. The band was...
Latest
Every few weeks the singles released by both, renowned musicians as well as completely new ones in the Indian independent music scene are galore....
Review
In February 2020, Delhi based rock act Kapow! released their debut self-titled EP with their launch gig being something that’s never been seen before...
Review
“Hey, Ho, I need to try, I don’t breathe , he’s still there, not very far”, cries an anxious Aruna Jade to the backdrop...
Review
After recently collaborating on a single with Zariya, Pune based music producer, sound engineer, and vocalist – Aseem releases his debut EP Ilaaj. This four-song EP...
Review
Honey Sharma aka Trap Monk is a multi-genre artist and producer from Jaipur, and is one of the very few artists in India who...
Review
The Hip-Hop genre has seen a steady yet surprising surge in popularity in the Indian music scenario. The catchy beats and the ability to...
Review
Every once a while, artists come along who convince you that the only thing to be done to be a better artist, is to...