Review
Sohail Arora’s debut EP, EZ Riser, marks his expressive and full-blown arrival as a professional musician. An emotional and raw 6-track project, the EP...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
The metal scene in India is known for their eclectic mix of bands and artists who have been experimenting with different styles – from...
Review
“Ek doob, do doob, yun hi doob gaya” (One cannabis cigarette, two cannabis cigarettes, that’s how I drowned) “Parvarish”, debut album by Delhi based...
Review
Bangalore-based music producer and multi-instrumentalist Clifr’s latest collaboration with the city’s rap genius Tintin on their album Meet Me Halfway, sets the example for...
Review
As the name rightly suggests, ‘Old Highway’ is a band that takes us down the memory lane. From the bygone roads, this band powerfully...
Review
Turnback Cave, the indie-rock collective from the city of Kolkata recently came out with their debut EP Letters to Another Life on March 11,...
FEATURED
Considering the state of the world right now, you wouldn’t need to stretch your imagination too much to paint an accurate picture of what...
FEATURED
Music and its wide variations keep surprising us, and it’s easy to say that “Bloodywood” is a power-packed surprise. As Nu Metal and Indian...
Review
Based in New Delhi, Rusha and Blizza are an artist duo that is bringing experimental sound design to Indian Classical music. Having more than...
Review
Udbhav, a 23-year-old artist hailing from New Delhi, has been constantly gaining popularity since 2020, when he released his first full-length album ‘Nanku Sharma’....