Review
“You must have heard of Peter Cat Recording Company. The sort of music Sawhney makes under PCRC and the sort he makes under Lifafa...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Smiti Malik’s Debut Solo EP, Sad Songs for A Sunday, Reflects on The Banality of Melancholia
Catatonic’s Feedback-Tinged EP ‘Smug’ Is An Homage To The Noise Of Punk
Inside ‘Vaakkath’: Haniya Nafisa on Vocal Power, Collaboration, and Art Without Fear
Chennai’s ‘In Between Sessions’ Deliver an Ambitious Jazz Fusion Debut with Vol. 01
The Gluttones’ ‘Modern Naga’ Talks About Identity Through Indie-Pop
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
“You lose money from indie, you make money from indie, you put money back into indie!” – In Conversation With Ankit
“Music Videos Let You Tell Stories Without Boundaries” – In Conversation With Director Yung Waris
Alan Walker and STING Energy® Capture the Sound of F1 in New Track “The Sting Within Me”
Everything Jazz: Insight From The Forerunners of Jazz In India
Review
Smiti Malik’s debut solo EP : Sad Songs for A Sunday, is confessional in nature. This is a fairly obvious observation — because Malik...
Review
It’s been less than a year since Shillong-based hardcore group Catatonic released their sophomore EP titled “Metanoia”, and the lads are back with another...
Review
If you’ve spent any time around Kerala’s indie music scene in the last few years, you’ve probably crossed paths with Haniya Nafisa. She’s a...
Review
Emerging from Chennai’s growing independent music ecosystem, In Between Sessions present their debut EP, In Between Sessions Vol. 01. Comprising twelve musicians and operating...
Review
In a rapidly digitising world, artistry born of the internet is inevitably met withquestions of authenticity. For Delhi-based producer trick/switch, the lines betweenhonest self-expression...
Review
It is always fun to encounter the chapter of an artist’s career where they decide to take that transformative leap that pushes them into...
Review
“You must have heard of Peter Cat Recording Company. The sort of music Sawhney makes under PCRC and the sort he makes under Lifafa...
Review
I found Tarun Balani accidentally in a pile of LPs at Pagal Records, HKV. The Shape of Things to Come lay awaiting its beholder...
Review
I listen to Ayush Sayalkar’s “till i see you” in the rain. In the midst of being plagued by the making of a documentary...
Review
Deeply rooted in the Tamil language, Nishad G is steadily carving out a space in the independent music scene. His sonic identity fuses orchestral...
Review
If I ask you what accompanies you during your travels, the instant reply that I will get from most will be that it’s good...
Review
Hamza Rahimtula is back — this time, in collaboration with Rajasthan Folkstars, with an album spanning 10 tracks [excluding the extended versions, which if...
Review
Rono, previously known as Awkward Bong, is steadily carving his niche in Mumbai’s indie music landscape. His sleeper hit “Main Aur Tum” subtly caught...