Callback
I have always had an odd fascination with the title of a particular Kazuo Ishiguro book — “The Remains of The Day”. For reasons...
Hi, what are you looking for?
The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Delhi Rapper Smoke Drops New EP “Khel Kood,” Showcasing Evolution and Experimentation
Sanjith Hegde’s New EP Sunjuice Is An Ode To Brighter Things
Reeshabh Purohit and Shivaraj Nataraj’s New EP Ananta Combines Beatboxing and Hindustani Classical
SOS’ New EP TARYAQ Promises You That They Are Here To Stay
Bharg’s “Nithalla” Hints at a New Direction After Punk Phase
- Industry Insight
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
- Featured
“I belong to a family of musicians, and I am the third generation to do so” – In Conversation With Divyam Sodhi
“I can never be bored in Chennai because you go outside and there are thousands of stories” – In Conversation With Dhee
Dive into the World of Jazz This Winter at G5A Warehouse’s ‘That Friday Jazz’
“It’s Truly A Dream Come True To See My Independent Music Featured In Mainstream Cinema” – In Conversation With Siddharth Pandit And Alok Ranjan Srivastava
“Many rappers are programmed to produce songs that degenerate the conscious human mind”- In Conversation with Yelhomie and Moko Koza
Callback
On the 28th of June, Lifafa performed in New Delhi as a part of Hungama Music’s World Music Day Festival. After struggling for three...
Callback
The violence committed on music and art in general by the advent of streaming services, is an issue that requires little introduction. In a...
Callback
Perhaps it is corny and overstated, but the visual character of music assists in one’s survival in ways beyond comprehension. When navigating and avoiding...
Callback
On an otherwise forgettable Saturday, when my doctor tells me that I have tinnitus, I stare at him and crack a smile at the...
Callback
One of the peculiar habits that I have picked up is the petulant urge to walk extreme distances after sunset — once having hit...
Callback
Three years ago, when I had moved to Delhi from suburban West Bengal, the shift had felt monumental. An 18 year old who had...
Callback
In art and in life alike, exposure is a notion more political than one might usually consider. To be acknowledged, accorded, and finally, hopefully,...
Callback
Perfection in art—whatever the word might signify—holds a scarcely tested position. Revisions, redefinitions, reorientations and the myriad words emblematic of incurred change, perhaps justifiably...
Callback
After releases of his singles like Sheeshmehal, Batti, Baaliyan and his EP, Lekh, all of which explored different areas of the musical spectrum, Karun...