From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Ayush Sayalkar’s “till i see you” Is A Meditation On Memory

Life Until 23: Nishad G’s Cross-Cultural Debut Hits the Right Notes

“City of My Heart”: An EP That Travels Through Urban Loneliness and Inner Resilience

Hamza Rahimtula and The Rajasthan Folkstars Reimagine Rajasthani Tradition in “Origins”

Rono’s New Album Grapples with Loss and Healing in “Adhoore Se Khwaab”

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

‘Gone Swimming’ : Jamblu’s Music and The Visceral Nature of Sound

Returning to Maati Baani’s 2016 Eponymous Album: A Mosaic of Cultures and Ragas

14 Moments Every True Fan Has Experienced at a Concert

JBL Music Academy 2025: 3 Reasons why you should register NOW

“The only thing that can change the electronic music scene is the entry of festivals” – In Conversation with Kratex