From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Arvasu’s ‘The Traffic Horn Orchestra’: Finding Harmony in the Urban Cacophony

‘Bheegein’ by Joshua Singh: A Tender, Disco-Tinted Reverie 

Kayan Asks “Is Love Enough?” in a Heartfelt and Electrifying New EP

‘Caged Authority’ by ROFO – Five Track Rock Opera for The Unruly

Ananda Sen’s “Pages From The Past” Becomes Miti Adhikari’s Swan Song

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Yuva Sur Sartaj 2025: The Search for India’s Next Hindustani Vocal Star

Release Roundup #99 – Indie Pop, R&B, Alternative & More!

Turn Up the Streets: 3 Days of World Music Day Celebration with Buskr Chowk

Producer-Led Albums: Why It’s Time We Let Them Take Center Stage

Kashmir is a haunt that never pauses: The legacy of Gaekhir Republik’s ‘Madnyan Shaam’