Review
Bangalore-based music producer and multi-instrumentalist Clifr’s latest collaboration with the city’s rap genius Tintin on their album Meet Me Halfway, sets the example for...
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The Indian Music Diaries
- News
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
Rock Band Competition “Wildfire” Returns at 65th Edition of Spring Fest, IIT Kharagpur
Spotify’s Royalty Model Changes And What Do They Mean For Independent Artists
- Reviews
Smoke Establishes Himself With Style, Consistency and Charismatic Rhymes On Latest Mixtape ‘He Raps Like’
Inside the Making of ‘Thee Chirakukal’: The Trailblazing Journey of Gowwli
Indian-American Songwriter Sheherazaad Weaves Folklore With Creation Myths On “Qasr”
On Growing Up: Dissecting Green Park’s latest album “Newly Aged”
Krameri reinvents herself with new album ‘Intrusive Thoughts’
- Industry Insight
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
Offline Music Marketing Tools For Every Independent Musician
A Case for Musical Improv Jamming Sessions, How They Benefit Musicians and How to Host One
- Featured
“I found my own style subconsciously, the unique delivery was something I figured out while experimenting by myself” – In Conversation with Wolf Cryman
Meet the jury #IMDAwards2024
“My songs are emotional coordinates to a particular phase in my life” – In conversation with INGA
“I believe that hip-hop can make social change only if the people listening also grow” – In Conversation with Kinari
Vote For The ‘Best Artist Of The Year’ At #IMDAwards2024