Review
The first thing I recognize when I listen to Skulk’s album Skin is a form of indubitable resistance. It is in the way she...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Doab Collective’s PB2047 Explores Punjab’s Wounds and Hope
Pacifist chronicles their life during the pandemic in their Hardcore EP ‘five’
Midival Punditz’s Legacy Celebrated Through Indian Classical, Folk & Electronic Music On Album ‘Love And Machines’
Champak’s ‘A1’: A Quirky, Intimate Bedroom Pop Descent Into Alt-Rock Doom
‘Maqsad’ by Faizal: A Reverse Journey Through Identity, Faith, and Everything In Between
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
“From small club shows to festivals, I realized this is where I feel at home” – In Conversation With Abhishek Shukla
One Song Out, Ten Thousand Fans: What OutStation Tells Us About Building a Fandom Before a Discography
In Conversation With SINASH -Tracing the Art, The Music and The Journey That Led to Bairaagi
Voodoo Valley Returns for a Three-Day Convergence of Music, Community, and Nature
Sound of Women: Preserving the radical & unheard folk voices Through a Mobile Studio
Review
In our collective consciousness today, Punjab often gets reduced to stereotypes. Happy, jolly, loud people. Struggling farmers. Rap music and fast cars. Drugs and...
Review
The new hardcore EP by Pacifist can only be described as straight edged. The EP spends very little time dilly dallying and is also...
Review
Midival Punditz are no strangers to the indie music scene with a healthy chunk of their experiments growing to define the larger music landscape...
Review
When I am sent the preview link to Champak’s debut release, A1, I am positively intrigued. The source of my curiosity, I admit, is...
Review
Chandigarh-based pop-rock artist Naalayak has released his fourth record, MARAMMAT, that takes a deep dive into the process of healing and self-repair. This eight-track...
Review
At first listen, the 5 track EP, is hard to pin down into any category of music. In his previous release ‘Stereotypical Mard’ the...
Review
Despite being 21, Aditya Majumdar isn’t one of the struggling artists who is doing his best to make it. He has already made it....
Review
Releasing off the heels of their collaborative 2024 album ‘Haal-e-dil’ the duo have opted for a more simple approach, while still preserving their Indian...
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...
Review
Albela’s new EP, BOHOT AJEEB ARTIST, is part of the artist praxis one engages in to reconcile with oneself. With cover art that resembles...
Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
Review
On his latest EP, Foenix a.k.a. Rohit Mukherjee polishes his already established disco sound fused with retro Indian aesthetics. He’s also made use of...