Review
Tired of Almost is a 3-track by melodic house producer and DJ Kaigan, who hails from the remote Desaiganj in Gadchiroli. This record, his...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Broken Grooves, Subtle Glitches: Inside Reverse Osmosis’ Unable Unstable
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
How Hadi Turned Found Noise into Indian Alt Hip-Hop’s Boldest EP ‘RAWBONED’
Smiti Malik’s Debut Solo EP, Sad Songs for A Sunday, Reflects on The Banality of Melancholia
Catatonic’s Feedback-Tinged EP ‘Smug’ Is An Homage To The Noise Of Punk
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
“You need to put in your 10,000 hours. Do it as if you don’t have anything else to do” – In Conversation With Akash Shravan
Release Spotlight #106 – Bossa Nova, Indie Pop, Electronica & More
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
“You lose money from indie, you make money from indie, you put money back into indie!” – In Conversation With Ankit
Review
Reverse Osmosis returns with Unable Unstable, a 10-track LP released via Thunderstruck Records that embraces controlled chaos. Rooted in underground electronic music, the album...
Interview
“All of us are looking for second chances to be ourselves.” Suraj Mani tells us when asked about the story of the record and...
Review
The first thing that stood out to me when I sat down to talk to Hadi was his infectious energy. I could almost see...
Review
Smiti Malik’s debut solo EP : Sad Songs for A Sunday, is confessional in nature. This is a fairly obvious observation — because Malik...
Review
Rushil Sudrania’s, better known as Mixed Signals, new EP Right Place Wrong Time is a 5 song, 13 minute long record — and is...
Review
The new year has kicked off with a fresh addition to the widening horizons of post-metal in India. Bimurta, a trio hailing from the...
Review
Pho is one of the most compelling young voices in today’s Indian music landscape — an artist who treats genre as a playground rather...
Review
After being named as best debut artist by multiple outlets, Karan Verma’s debut album, Parichay, is finally out. The record is around 30 minutes...
Review
I listen to OX7GEN’s EP Body Mechanics in Goa, which is perhaps one of the most ideal places to do so, while assembling chairs...
Review
Mumbai is bygone paraphernalia brought out of the attic to resuscitate the timeless in the new EX GENERATION album, The Mumbai Exchange. Spanning nine...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Rap in India isn’t a new phenomenon anymore. Every artists release in this genre is adding to the Indian-ness of Rap, shedding light on...
Review
Alok Ranjan Srivastava (Hashtag Jazbaat) is a singer-songwriter and lyricist carving out a unique space in both the independent scene and the commercial landscape....