Review
Smoke & Muzzle have teamed up to deliver a refreshing six-song project titled Boy Drama. This Punjabi-Hindi EP, touted as “6 songs, 6 moods,...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
Bangalore-based progressive metal band Fallen Letters – featuring Vishal Naidu (vocals, guitars), Aditya Ramesh (lead guitar), Abhay Prakash (bass), and Mukund Narasimhan (drums) release...
Review
A Personal Journey Told Through Letters Debut albums often serve as an artist’s grand introduction, but Ekum’s first full-length project, Likhe Jo Khat Tujhe,...
Review
20g is not my first rodeo when it comes to an ONNO Collective release. It has been a pattern, mostly — each rendezvous with...
Review
Baijoo Bawra is back, with his ever expanding repertoire of stories for his new EP, “Billu Barber”. On his previous album, Baijnaath, the artist...
Review
Sravya Sruthi Kothalanka, better known as Lady Skavya, arrives with “Peru Gurthu Pettukondi”, Telugu for “Remember the Name”, a title that feels less like...
Review
Delhi-based guitarist and producer Raj (Rajkanwar Sodhi) has made a name blending jazz, neo-soul and downtempo beats, racking up millions of streams in the...
Review
India-born, Germany-based Tanmaya Bhatnagar crafts music that serves as a mirror to her soul—vulnerable, authentic, and deeply moving. Her breakthrough single “Kya Tum Naraaz...
Review
In India’s growing independent music scene, it is often the loudest voices that rise quickest — the electronic producers with club-ready drops, the rock...
Review
Midnight Agenda’s new EP Nafrat is a ferocious blast of punk rebellion that brings some light to India’s underground scene. This four-track EP is...