Review
Pho is one of the most compelling young voices in today’s Indian music landscape — an artist who treats genre as a playground rather...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
With ’27 CLUB’, RANJ’s Debut Mixtape Reframes Indian R&B Through a Woman’s Lens
‘Garhkumaon’ by Tarun Redefines The Sound And Soul Of Modern Indian Regional Rap
Ahuja and Mittal Explore Nauseating Spiritualism Through Hazy Synths In ‘Feeling So Good’
Shourya Malhotra crafts Indie folk tunes to sail through the day in Album ‘Everybody Knows, Everybody Understands’
Sacred Disobedience and Sonic Dissonance : Inside keichyna’s RHAPSODY OF THE EXILED
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Are Payment Delays Silencing the Voices of Independent Music?
“Part Of Our Legacy Would Be Having People Listen To Our Music And Follow It” — In Conversation With Run It’s The Kid
Release Spotlight #104 – Electronica, Pop, Metal & More!
Review
There’s an old superstition in popular music that haunts the age of 27, an age mythologized through tragedy, headlines, and the seductive romance of...
Review
Regional hip-hop projects in India often carry predictable expectations: to celebrate the language, showcase the pride, translate local identity into something nationally consumable &...
Review
The first time I listen to Feeling So Good, a slow-engulfing, metallic, grueling form of dread grips me — tethering me to a kind...
Review
On his newest album, screamer turned media lawyer turned singer songwriter, Shourya Malhotra creates a body of work that can soundtrack a busy sunny...
Review
After being named as best debut artist by multiple outlets, Karan Verma’s debut album, Parichay, is finally out. The record is around 30 minutes...
Review
I listen to OX7GEN’s EP Body Mechanics in Goa, which is perhaps one of the most ideal places to do so, while assembling chairs...
Review
Mumbai is bygone paraphernalia brought out of the attic to resuscitate the timeless in the new EX GENERATION album, The Mumbai Exchange. Spanning nine...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Rap in India isn’t a new phenomenon anymore. Every artists release in this genre is adding to the Indian-ness of Rap, shedding light on...
Review
Alok Ranjan Srivastava (Hashtag Jazbaat) is a singer-songwriter and lyricist carving out a unique space in both the independent scene and the commercial landscape....
Review
Bands are making a comeback and with it we’re once again getting to see musical identities that are bigger than any one person. In...
Review
Dirty Class is a psychedelic rock outfit famous for their immersive live performances, soul-stirring energy and an approach to musicality that is straight out...
Review
Hip Hop since its inception has flourished only because of community. The culture has thrived so far only because of the sheer breadth of...