Review
In an era of thumping trap drops and high-octane producer albums, YKSDOG has taken a refreshing detour with his debut EP Boys Don’t Cry....
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Shaastriya Frequencies: DJazz’s Classical Collision and Tabla Electronica in new EP
Varun Nimbolkar’s ‘Bah Bah Black Sheep’ Sits Comfortably Between Indian Classical and Electronica
Sakré’s new beat tape ‘Bangalore Sonic Archives’ feels a like a walk through the city
19 Rappers, 4 Languages, 1 Mission: Lehar Chandigarh Mixtape Forges a New Blueprint for Underground-Major Label Collaborations
YKSDOG’s ‘Boys Don’t Cry’: A Heartfelt Debut That Blends Trap Beats with Punjabi Soul
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Arshaq Malik: A Voice Blending Industrial Edge, Jazz Soul, and Unstoppable Lyricism
Queer Identity, Sex Positivity, Self Love & Other Transgressions on Aksomaniac’s ‘Varthamanam’
JBL Music Academy 2025: Where India’s Next Wave of Artists Turned Ambition Into Sound
“From my bedroom to digital stores, that’s the journey of every song I make” – In Conversation With S.I.D
“We wanted to bring abstract hip-hop to Kerala, that was the whole idea” – In Conversation with bunnyboo
Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
Review
Hip-Hop has been nothing short of a phenomenon in India and over the years the culture is permeating deeper into the ethos of our...
Review
The Indian rap-scape has always been interesting — spitting out admixtures of control and creativity that you do not usually envision, but which do...
Review
I listen to sudan’s new release — pocket friendly : volume i, at Bonobo, where he does a launch party and an elongated set...
Review
The Northeast never fails to impress with its incredible musical talent. While the region is well known for its rock scene, one genre it’s...
Review
Smoke & Muzzle have teamed up to deliver a refreshing six-song project titled Boy Drama. This Punjabi-Hindi EP, touted as “6 songs, 6 moods,...
Review
Bangalore-based progressive metal band Fallen Letters – featuring Vishal Naidu (vocals, guitars), Aditya Ramesh (lead guitar), Abhay Prakash (bass), and Mukund Narasimhan (drums) release...
Review
A Personal Journey Told Through Letters Debut albums often serve as an artist’s grand introduction, but Ekum’s first full-length project, Likhe Jo Khat Tujhe,...