Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
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The Indian Music Diaries
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From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Divyam Sodhi & Khwaab’s ‘Ehsaas’ chronicles love, longing, distance & absence with Elegant Classical-Pop Fusion
FENGa’s Personal DIY Hip-Hop Debut WTF! Bridges Indie Sound with Mizo Heritage
Albela Swims Out of grief in lyric-heavy, trap-jazz EP ‘Bohot Ajeeb Artist’
Shaastriya Frequencies: DJazz’s Classical Collision and Tabla Electronica in new EP
Varun Nimbolkar’s ‘Bah Bah Black Sheep’ Sits Comfortably Between Indian Classical and Electronica
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AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Arshaq Malik: A Voice Blending Industrial Edge, Jazz Soul, and Unstoppable Lyricism
Queer Identity, Sex Positivity, Self Love & Other Transgressions on Aksomaniac’s ‘Varthamanam’
JBL Music Academy 2025: Where India’s Next Wave of Artists Turned Ambition Into Sound
“From my bedroom to digital stores, that’s the journey of every song I make” – In Conversation With S.I.D
“We wanted to bring abstract hip-hop to Kerala, that was the whole idea” – In Conversation with bunnyboo
Review
Releasing off the heels of their collaborative 2024 album ‘Haal-e-dil’ the duo have opted for a more simple approach, while still preserving their Indian...
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...
Review
Albela’s new EP, BOHOT AJEEB ARTIST, is part of the artist praxis one engages in to reconcile with oneself. With cover art that resembles...
Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
Review
Hip-Hop has been nothing short of a phenomenon in India and over the years the culture is permeating deeper into the ethos of our...
Review
The Indian rap-scape has always been interesting — spitting out admixtures of control and creativity that you do not usually envision, but which do...
Review
In an era of thumping trap drops and high-octane producer albums, YKSDOG has taken a refreshing detour with his debut EP Boys Don’t Cry....
Review
I listen to sudan’s new release — pocket friendly : volume i, at Bonobo, where he does a launch party and an elongated set...
Review
The Northeast never fails to impress with its incredible musical talent. While the region is well known for its rock scene, one genre it’s...