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From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
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Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
How Kaali Duniya Weaponizes Dubstep for Adivasi Land Rights Through ‘JAL JUNGLE ZAMEEN’
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Shaastriya Sangeet Vol. II is the Tabla-Techno Crossover You Never Saw Coming
Runt’s eponymous album Is a Gritty, Honest Debut Rooted in Alternative Rock
Sambit Chatterjee’s ‘Letters for Inca’ Is a Labour of Love and Genre – Fluid Experimentation
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
“You have to remain open to all forms of expression within your craft” – In Conversation With pixlpxl
Callback : The Double O Groove and The Tender Eccentricities of Cornershop
“We weren’t simply building a pressing plant; we wanted to build an ecosystem” – In-Conversation with Saji Pillai – Founder of Samanvii
From Shabad to Trap: The Unstoppable Evolution of Rashmeet Kaur
“You can’t really fake curiosity or love for a language or culture just to chase an audience” – In Conversation With Damini Bhatla
India’s first Certification course in Music Business Management by Music Gets Me High in association with Sri Aurobindo center of Arts and Communication (SACAC)...
After the success of the first batch, Music Gets Me High (MGMH) and Sri Aurobindo Center of Arts and Communication (SACAC), New Delhi are...