From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Hyde’s Garage’s ‘Airborne Deceptions’: A Concept Album on Addiction

Catatonic’s ‘Metanoia’ Is a Raw, Emotional Masterclass in Indian Post-Hardcore

Anoushka Maskey’s ‘Epilogue One’ Feels Like a Familiar Hug with a New Pulse

Inside ‘Ice Cream Frappe’: Sweet, Smooth With A Satirical Blend

Derek & The Cats’ ‘People to Meet, Places to See’ is a Record Both You and Your Dad Can Dance To

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

‘The Mountain’ is an epic global crossover that will pave the way for the future of music

Release Roundup #102 – Metal, Electronica, Pop & More!

“The only way forward is not to give up and to be all right with being alone at times” – In conversation with Rushil Aswal

Style and Static : Looking Back At AM.E.R’s ‘mera memoirs’

Indie’s Launchpad: How College Fests Shaped India’s Indie Scene and How They’re Changing