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From Nagaland to the World: Abdon Mech’s “Not Overthinking This” Feels Like a Fresh Start

The Northeast never fails to impress with its incredible musical talent. While the region is well known for its rock scene, one genre it’s quietly redefining is indie pop. Today, we’re tuning into Nagaland-based artist Abdon Mech, whom we’ve covered before and are thrilled to revisit with his sophomore album, “Not Overthing This.”

Tracks like “Taking My Heart,” “Always Be,” and “Dopamine” catapulted Abdon into the spotlight, earning him multiple awards and a loyal fanbase. His music is mostly a blend of pop, rock, and blues with subtle touches of folk and soul. It’s refreshing, authentic, and never dull. Coming from a family of musicians, Abdon also takes pride in singing in Sumi Naga, a distinct dialect from Nagaland. You can hear it in his latest bilingual album, which features three songs in English and one in Sumi Naga titled “Noye Lhokuthu Iwu.”

Abdon’s new EP was well received in his home state and now it’s time for the rest of the country to discover his music. Let’s take a closer look at why this EP is worth your attention.

The EP opens with “You Are Not Sorry,” an acoustic track that draws you in with its gentle rhythm and Abdon’s smooth, effortless vocals. There’s a sweet honesty in his voice that’s vulnerable yet assured. The lyrics are poetic and capture the quiet confidence of an artist who’s evolved through his journey. The composition feels light but intentional, every strum and pause placed with care.

The second track, “Hey Eleanor,” begins with a tender melody that feels both nostalgic and new. Abdon’s vocals sway gently over the arrangement, as if singing to someone or perhaps to a part of himself that he’s learning to understand. The lyrics will stick with you as the song builds layer by layer. Light guitar work and understated drums keep the rhythm steady, while the piano plays softly in the background. It’s soothing and deeply reflective, carrying a freshness that feels like standing at the edge of change, unsure but hopeful.

The third track, “Noye Lhokuthu Iwu,” written entirely in Sumi Naga, translates loosely to “You are always mine.” It’s a joyful love song, full of warmth and color. The composition feels like a celebration with playful and heartfelt sounds carried by Abdon’s radiant vocals. There’s a breezy, almost carnival-like energy to it, supported by rhythmic basslines, acoustic strums, and crisp drums.

Abdon shared that recording this song, his first in Sumi Naga, was both exciting and terrifying. It was a bold step toward preserving his culture through a modern sound, especially given how deeply the community values its traditions and identity.

Closing the EP is “More Than You”, a piano-led ballad with Abdon’s emotive vocals as he sings about desire (perhaps for love, or maybe for his craft itself). The mellow track builds gradually, layering subtle electronic textures that add depth without overwhelming its softness.

“Not Overthinking This” closes on a high, reaffirming Abdon Mech’s place among the most exciting indie voices from the Northeast. It’s heartening to see how listeners from across the world, and especially his home state, connect so genuinely with his music. His artistry is thoughtful, sincere, and full of promise. He’s definitely an artist to keep on your radar and we can’t wait to see where his sound takes him next.

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