Interview
Music and dance as arts have long ceased to constitute a binary. If singing ambles out of the chrysalis of the self, dancing—being an...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
Michael Dias’s unique musical sensibility has created a buzz around his work since his debut work. The way in which a listener is introduced...
Review
2023 has witnessed an exponential rise in the relevance of Indian Hip-hop within the country and the global market. However, when it comes to...
Review
Setting out from the humdrum existence, let’s delve into the musical universe of “Sab Theek Hai,” an EP by the invigorating, yet nuanced experimental...
Review
Debajyoti Biswas, Dublin-based Indian singer-songwriter, releases his new EP titled ‘Changing’. The EP, produced under the label Renesa Records and recorded at Studio Imaginarium...
Review
In the hustle and bustle of city life, we forget to take a moment out to breathe quite often. Taking a moment to appreciate...
Review
In recent years, the Indian rock and metal scene has been riding on a “progressive” wave with bands and musicians experimenting with modern metal...
Review
Embark on a journey through the rustic symphony of rural India, where melodies weave connections unbridled by any barriers. Nimad, the whispered echo of...
Review
Released on the 6th of October, ‘Anecdote’, by Dwain Willis and Mayur Koli brings a very fresh vibe to the English rap scene. Dwain’s...
Review
Debut releases have a way of setting a template that an up-and-coming artist puts up to display their style and attract an audience. In...