Review
Zain Calcuttawala aka Bulli Bainbridge is a Mumbai-based artist who stepped into the industry as an artist manager and gig programmer. Working at Blue...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Life Until 23: Nishad G’s Cross-Cultural Debut Hits the Right Notes
“City of My Heart”: An EP That Travels Through Urban Loneliness and Inner Resilience
Hamza Rahimtula and The Rajasthan Folkstars Reimagine Rajasthani Tradition in “Origins”
Rono’s New Album Grapples with Loss and Healing in “Adhoore Se Khwaab”
Bloodywood’s NU DELHI is Heavy, Groovy, and Proudly Theirs
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
‘Gone Swimming’ : Jamblu’s Music and The Visceral Nature of Sound
Returning to Maati Baani’s 2016 Eponymous Album: A Mosaic of Cultures and Ragas
14 Moments Every True Fan Has Experienced at a Concert
JBL Music Academy 2025: 3 Reasons why you should register NOW
“The only thing that can change the electronic music scene is the entry of festivals” – In Conversation with Kratex
Review
Deeply rooted in the Tamil language, Nishad G is steadily carving out a space in the independent music scene. His sonic identity fuses orchestral...
Review
If I ask you what accompanies you during your travels, the instant reply that I will get from most will be that it’s good...
Review
Hamza Rahimtula is back — this time, in collaboration with Rajasthan Folkstars, with an album spanning 10 tracks [excluding the extended versions, which if...
Review
Rono, previously known as Awkward Bong, is steadily carving his niche in Mumbai’s indie music landscape. His sleeper hit “Main Aur Tum” subtly caught...
Review
All is not well in the world. Amidst natural and man-made disasters, the most tragic is one of the apathy that we’ve slipped into....
Review
The new EP “khwab” by Mumbai-based alt-pop artist Jeevana and London-based indie-electronic-pop artist unluv is a dreamy collection of seven alt-lush pop songs that...
Review
“What’s the scene, bob!” screams singer Joshua Sebastian in the opening track with a guttural tone -a rather rare and unusual form of delivery...
Review
For a self-taught musician with little to no background in music, Yoosh has managed to carve his niche in the industry. The singer/Songwriter/rapper/producer from...
Review
7Bantai’Z, a street-style hip-hop group from Mumbai, is back with their highly-anticipated EP, ‘Into The Slum’. The project explores the lived experiences of slum...
Review
When Nagaland’s Mar Jamir established Polar Lights in 2013, all he had in mind was to do what he loved doing the most –...
Review
Two artists and one producer came together and had the best sessions- full of eclectic sonics, and witty lyricism creating a fun tape that...
Review
The contemporary music scene of the country has witnessed its fair share of pop records being produced consistently, to the extent where it can...
Interview
As a publication that exists to promote independent music in India, we often encourage those around us to listen to more Indian artists. Some...