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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Angad Berar and Jamblu’s ‘Sundae’ Is a Sonic Walk on a Sunny Day
Kairvina’s Debut EP ‘Eternal’, A Solid Foundation And A Tribute To Her Favorites
‘begin again’ by Skinny Local: A Desi-Dreamy Beat Tape for the Restless Mind
Arvasu’s ‘The Traffic Horn Orchestra’: Finding Harmony in the Urban Cacophony
‘Bheegein’ by Joshua Singh: A Tender, Disco-Tinted Reverie
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Release Roundup #100 – Folk Jazz, Acid House, Metalcore & More!
Why Vinyl Collectors in India Are Finding Community and Curating Culture
“When We Sat Down To Create Together, We Were Very Aligned In Thoughts & Intentions” – In Conversation With Shrey Jadav & Zeba Tommy
“I was just a ‘kid’ inspired by Kid A” – In Conversation With Surya Pratap
“I Am My Audience, I Am My Target.” – In Conversation With Tanmaya
Opinion
The reason I got into vinyl was because there were these bands that I really liked but nobody around me listened to that kind...
Opinion
In the sleepy village of Morjim in North Goa, not far from the tide-churned beaches that have long lost their charm to commercial noise,...
Opinion
In the ever-evolving landscape of independent music, one truth remains constant, the beat is the backbone. While singers often receive the limelight, the producers...
Opinion
Madnyan Shaam relies not only on listener’s understanding of Kashmiri language but also on an intense soundscape. Language isn’t primal in music. Sound can...
Callback
It’s said that an average individual is better destined to survive a tempestuous sea than the callous antagonism of the Delhi rap scene. The...
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I have always had an odd fascination with the title of a particular Kazuo Ishiguro book — “The Remains of The Day”. For reasons...
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One of the peculiar habits that I have picked up is the petulant urge to walk extreme distances after sunset — once having hit...
Callback
Three years ago, when I had moved to Delhi from suburban West Bengal, the shift had felt monumental. An 18 year old who had...
News
The adage of there being no ethical consumption under capitalism, like most adages, stands too true; the handy anticapitalist aphorism, beneath its radical sonority,...
Callback
In art and in life alike, exposure is a notion more political than one might usually consider. To be acknowledged, accorded, and finally, hopefully,...
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Perfection in art—whatever the word might signify—holds a scarcely tested position. Revisions, redefinitions, reorientations and the myriad words emblematic of incurred change, perhaps justifiably...
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After releases of his singles like Sheeshmehal, Batti, Baaliyan and his EP, Lekh, all of which explored different areas of the musical spectrum, Karun...
Interview
Music and dance as arts have long ceased to constitute a binary. If singing ambles out of the chrysalis of the self, dancing—being an...