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Amyt Dutta Electric Power Quartet Live

Review

Amyt Datta and His Electric Power Quartet Redefine Jazz And Rock with Debut Album ‘Electric

In the ever-evolving landscape of contemporary jazz and rock, few artists have the audacity to rewrite the rules quite like Amyt Datta. With his debut album Electric, the virtuoso guitarist and his Electric Power Quartet deliver a soundscape that’s as thrilling as it is unpredictable. This ensemble, featuring the dynamic Sambit Chatterjee on drums, the stalwart Aakash Ganguly on bass, and the astoundingly versatile Samrat Mukherjee on keys and synth, embodies a sonic escapade that invites listeners to journey far beyond the ordinary.

Electric, their debut album is an alluring collection of eight tracks released on 21st September via Free School Street Records draws from Datta’s rich compilation of past works, including the mind-bending Ambiance de Danse (2013), Pietra Dura (2015), Amino Acid (2016), and Red Plant (2021), showcasing his evolution as an artist while pushing the boundaries of jazz and rock.

From the moment Electric opens with the enigmatic track “Introit,” the stage is set for a hypnotic experience. The album oscillates between dissonance and melody, capturing an intoxicating blend of gritty rock and the whimsical quirks of jazz. Datta’s keen ability to fuse these genres into a cohesive whole is an attestation of his innovative prowess. This is music that dares you to let go of your preconceived notions and simply revel in the auditory chaos.

Standout track “Dark City” is a haunting exploration of sound, with bass and guitar leading the charge, while drums punctuate the atmosphere with an ominous energy. The way the rhythmic elements converge creates a discernible tension that reverberates throughout your entire being. It’s a thrilling ride that leaves you breathless and yearning for more. The crunchy guitar tones and meditative grooves interspersed with unexpected time shifts evoke a sense of cosmic travel, a trademark of the Quartet’s live performances that has garnered them a dedicated following across India.

The album reimagines several of Datta’s earlier works, breathing new life into tracks like “Red Plant,” which transforms the original’s acoustic Mediterranean vibes into something delightfully chaotic yet composed. Similarly, the rip-roaring rendition of “Introit” and the reworked version of “Pulse” from the 2016 album Amino Acid showcase the Quartet’s knack for amplifying intensity while maintaining musicality.

Tracks like “Ironic Bironic” and “Erraticus” are not just songs; they’re experiences. “Ironic Bironic” serves up dexterity in its composition, a fitting opener for the Quartet’s electrifying live shows, while “Erraticus” shuffles moods with dark synth lines that weave through groovy bass work and chaotic drum patterns, allowing Datta’s transcendental guitar solos to soar.

“Stain,” with its noise-laden textures, revels in jazzy improvisation, and “Black Pages” offers one of the album’s most infectious grooves, making it impossible not to sway along despite its dissonant core. This juxtaposition of chaos and cohesion is a defining feature of the Electric experience, revealing Datta’s genius in crafting pieces that are at once cerebral and visceral.

Having labored over this project for nearly three years, the Amyt Datta Electric Power Quartet has finally unleashed Electric upon the world, a work that is not just a collection of songs but a treasury of emotions and narratives. Mixed by Sayan Ghosh and mastered by Leslie Charles of Thermal And A Quarter, the album captures the raw intensity of live performance.

With Electric, Amyt Datta and his quartet invite you to engage in a musical dialogue that’s both intricate and exhilarating. This is a record that will resonate deeply with both jazz aficionados and rock enthusiasts alike, reminding us that in the realm of music, boundaries are meant to be blurred and conventions are just invitations to explore further. So plug in, turn up the volume, and let Electric take you on a ride through sound, where the only rule is to expect the unexpected.

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