From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Hashbass’s Producer Prowess Shines on ‘House of Hashbass Vol. 1’

Moosa Saleem’s Paranoia Is A Dark And Bleak Celebration

Alva Kuuto’s Self-Titled Album Is a Revival of a 2500-Year-Old Language

Anyasa’s ‘Flectere’: An Immersive Journey Through Melodic Techno and Indian Sounds

Yashraj’s ‘3P’ EP: Raw Energy, Online Wit, and a Clear Vision

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

“Our music is both personal and political – a reflection of society and our inner lives” – In Conversation With The Down Troddence

“Bands & Artists That Are Not Playing To Algorithmic Trends Need Regular Support” – In Conversation With Long Distances

“One of the best things about being an independent artist is the creative freedom” – In Conversation With Kushagra

Vote For The ‘Best Artist Of The Year’ At #IMDAwards2025

From Fan Frenzy to Fury: The Recurring Problem of Late Artists and Industry Accountability