Review
Some records feel as though they have been lifted from another era, and Giddy Hoo’s debut EP, Finally Found, is one of them. The...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
BENDI’s Heartspace starts off with the rumbling of clouds, a distorted voice and an unleashing of electropop – as the first track, THUNDERSTORMS IN...
Review
While always being known to have a proclivity for being left of centre, with this EP KAVYA has cemented this fact in permanence. Following...
Review
Saka’s new record is a soft, soft thing, and a pure delight to listen to — joyful and cosy, the kind of music we...
Review
I knew I couldn’t sing over them, so I decided to sing under them. The more noise they made the more softly I sang....
Review
Amenn Wihaan’s debut album has music that is almost translucent – a carefully crafted tapestry as a body of work that is mostly dreamy,...
Review
In an interview with the Deccan Chronicle, Burrah talks about his debut EP, “I felt lost, like I was living a life that wasn’t...
Review
Delhi-based experimental sound artist Pranav Nigam aka Lani.akea is a musician of remarkable depth and versatility. Trained at KM Music Conservatory (Chennai) and the...
Review
For most of my brief career in music journalism, I have written about Delhi and its artists, attempting to map the soundscape of the...
Review
Sonor that is disrobing and writing that is wrapped in a translucent membrane of mystery, on his third album, Rounak Maiti has let the...