Review
Having enthralled audiences and judges alike through popular TV shows such as The Voice of India, Sa Re Ga Ma Pa and MTV Roadies,...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
On a typical lockdown day, inspiration is not the easiest thing to come by. Regular visitors include overwhelming sadness and crippling anxiety. In the...
Review
Vridian is not a new kid on the block. He started his journey in the industry in 2017, with a heavy influence of psytrance...
Review
Indian Hip-Hop has long seen an output of great emcees from each of its metropolitan regions. This stands true not just for lyricists, but...
Review
Gaurav Balani has been a regular in the Delhi music circuit. Having played countless shows with Parikrama and Shubha Mudgal’s ensemble as a bassist,...
Review
Why be constricted to playing only one type of music when you can spice your sound up by sprinkling musical elements? This is evidently...
Review
BLOT!, Gaurav Malaker’s producer and DJ project, needs no introduction. There is nothing that can be said of him that hasn’t been said before...
Review
The Indian independent music scene has seen a surge in the number of new bands and artists springing up from different parts of the...
Review
Yes, stoner-rock is a thing, and what better way to segue into this genre than with the help of Diarchy. This hard-hitting rock duo...
Review
March is ending, but the weather is remarkably cool. Many of us, at least in parts of India where the seasons are well defined,...