Review
Rushil Sudrania’s, better known as Mixed Signals, new EP Right Place Wrong Time is a 5 song, 13 minute long record — and is...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
New Delhi Duo BAALAK Explores Fractured Identity Through Dark Sonic EP
Naman’s ‘Andhera’: A Psychedelic, Hindi-Inflected Electronic Exploration of Love, Isolation and Survival
Packers & Movers Bottle Their Twenties on Debut Album ‘Men and Their Major Chords’
From Rock to ‘Peacecore’: Inside Uday Benegal’s Gentle Solo Debut ‘Human Be’
Introspective Vocals Meet Expansive Beats on rohh & Mr. Doss’s ‘Sunset Bar’
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
“You lose money from indie, you make money from indie, you put money back into indie!” – In Conversation With Ankit
“Music Videos Let You Tell Stories Without Boundaries” – In Conversation With Director Yung Waris
Alan Walker and STING Energy® Capture the Sound of F1 in New Track “The Sting Within Me”
Everything Jazz: Insight From The Forerunners of Jazz In India
Review
Emerging from New Delhi’s alternative rock scene, BAALAK continues to refine a sound that exists between structure and chaos. Formed by vocalist and composer...
Review
“Andhera“, Hindi for darkness, is Naman’s most personal release yet, four self-produced tracks about love, isolation, and survival. “Darkness isn’t something dramatic or cinematic,”...
Review
Packers & Movers made their debut album in a bedroom. Not “bedroom” as a vibe or a genre tag, an actual bedroom, next to...
Review
For decades, Uday Benegal has been synonymous with Indian rock. As the frontman of Indus Creed and one of the pioneers of India’s independent...
Review
The new year has kicked off with a fresh addition to the widening horizons of post-metal in India. Bimurta, a trio hailing from the...
Review
Pho is one of the most compelling young voices in today’s Indian music landscape — an artist who treats genre as a playground rather...
Review
After being named as best debut artist by multiple outlets, Karan Verma’s debut album, Parichay, is finally out. The record is around 30 minutes...
Review
I listen to OX7GEN’s EP Body Mechanics in Goa, which is perhaps one of the most ideal places to do so, while assembling chairs...
Review
Mumbai is bygone paraphernalia brought out of the attic to resuscitate the timeless in the new EX GENERATION album, The Mumbai Exchange. Spanning nine...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Rap in India isn’t a new phenomenon anymore. Every artists release in this genre is adding to the Indian-ness of Rap, shedding light on...
Review
Alok Ranjan Srivastava (Hashtag Jazbaat) is a singer-songwriter and lyricist carving out a unique space in both the independent scene and the commercial landscape....
Review
Bands are making a comeback and with it we’re once again getting to see musical identities that are bigger than any one person. In...