Review
Chandigarh-based pop-rock artist Naalayak has released his fourth record, MARAMMAT, that takes a deep dive into the process of healing and self-repair. This eight-track...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
sxnchay & Moonjock Mixes Pop Rap & Acoustic Soul In Their Mixtape ‘Twentysomethings’
Dolorblind Challenges Indian Melodic Tastes by Integrating Gritty Textures into Electronic Pop through EP ‘No Signals’
Pina Colada Blues & Jai Matt Bring Early-2000s Pop to Malayalam with their Mixtape ‘J2K, Vol. 1’
Grave Defines the Modern Rave Through Minimalist and Menacing Sonic Textured EP ‘Cerebral Malfunction’
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Review
There are plenty of songs about being young and reckless, and there are plenty of songs about growing up and looking back. sxnchay’s Twentysomethings...
Review
Electronic Music’s general appearance in the Indian Music landscape has always been a little one dimensional, forcing artists to conform to familiar structures and...
Review
If you’ve been paying attention to pop music in 2026, you’ve probably noticed how much of it sounds like 2002. Y2K nostalgia has moved...
Review
GRAVE a.k.a. Vipul Verma, who also happens to be the vocalist for Kraken has finally shared his new project under the aforementioned moniker. Though...
Review
At first listen, the 5 track EP, is hard to pin down into any category of music. In his previous release ‘Stereotypical Mard’ the...
Review
Despite being 21, Aditya Majumdar isn’t one of the struggling artists who is doing his best to make it. He has already made it....
Review
Releasing off the heels of their collaborative 2024 album ‘Haal-e-dil’ the duo have opted for a more simple approach, while still preserving their Indian...
Review
FENGa’s latest album WTF! is a statement piece from an up-and-coming artist who’s turning heads in the Indian indie music scene. Hailing from a...
Review
Albela’s new EP, BOHOT AJEEB ARTIST, is part of the artist praxis one engages in to reconcile with oneself. With cover art that resembles...
Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
Review
On his latest EP, Foenix a.k.a. Rohit Mukherjee polishes his already established disco sound fused with retro Indian aesthetics. He’s also made use of...
Review
Hip-Hop has been nothing short of a phenomenon in India and over the years the culture is permeating deeper into the ethos of our...