Review
The Indian rap-scape has always been interesting — spitting out admixtures of control and creativity that you do not usually envision, but which do...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
With ’27 CLUB’, RANJ’s Debut Mixtape Reframes Indian R&B Through a Woman’s Lens
‘Garhkumaon’ by Tarun Redefines The Sound And Soul Of Modern Indian Regional Rap
Ahuja and Mittal Explore Nauseating Spiritualism Through Hazy Synths In ‘Feeling So Good’
Shourya Malhotra crafts Indie folk tunes to sail through the day in Album ‘Everybody Knows, Everybody Understands’
Sacred Disobedience and Sonic Dissonance : Inside keichyna’s RHAPSODY OF THE EXILED
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Are Payment Delays Silencing the Voices of Independent Music?
“Part Of Our Legacy Would Be Having People Listen To Our Music And Follow It” — In Conversation With Run It’s The Kid
Release Spotlight #104 – Electronica, Pop, Metal & More!
Review
There’s an old superstition in popular music that haunts the age of 27, an age mythologized through tragedy, headlines, and the seductive romance of...
Review
Regional hip-hop projects in India often carry predictable expectations: to celebrate the language, showcase the pride, translate local identity into something nationally consumable &...
Review
The first time I listen to Feeling So Good, a slow-engulfing, metallic, grueling form of dread grips me — tethering me to a kind...
Review
On his newest album, screamer turned media lawyer turned singer songwriter, Shourya Malhotra creates a body of work that can soundtrack a busy sunny...
Review
In an era of thumping trap drops and high-octane producer albums, YKSDOG has taken a refreshing detour with his debut EP Boys Don’t Cry....
Review
I listen to sudan’s new release — pocket friendly : volume i, at Bonobo, where he does a launch party and an elongated set...
Review
The Northeast never fails to impress with its incredible musical talent. While the region is well known for its rock scene, one genre it’s...
Review
Smoke & Muzzle have teamed up to deliver a refreshing six-song project titled Boy Drama. This Punjabi-Hindi EP, touted as “6 songs, 6 moods,...
Review
Bangalore-based progressive metal band Fallen Letters – featuring Vishal Naidu (vocals, guitars), Aditya Ramesh (lead guitar), Abhay Prakash (bass), and Mukund Narasimhan (drums) release...
Review
A Personal Journey Told Through Letters Debut albums often serve as an artist’s grand introduction, but Ekum’s first full-length project, Likhe Jo Khat Tujhe,...
Review
20g is not my first rodeo when it comes to an ONNO Collective release. It has been a pattern, mostly — each rendezvous with...
Review
Baijoo Bawra is back, with his ever expanding repertoire of stories for his new EP, “Billu Barber”. On his previous album, Baijnaath, the artist...
Review
Sravya Sruthi Kothalanka, better known as Lady Skavya, arrives with “Peru Gurthu Pettukondi”, Telugu for “Remember the Name”, a title that feels less like...